The Hallelujah Effect

Friday, May 5, 2017

The Culture of the Cover: Leonard Cohen's 'Hallelujah' and Adorno's Ubiquity Standards


Posted by babette_babich at 5:02 PM No comments:
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Tuesday, May 2, 2017

Review of the Hallelujah Effect

New paperback edition with Routledge: 2016.

A very useful review. 

https://caml.journals.yorku.ca/index.php/caml/article/viewFile/40230/36405


My gratitude to the author, Prof. J. Drew Stephen

 http://music.utsa.edu/index.php/faculty_page/drew-stephen/
Posted by babette_babich at 10:20 PM No comments:
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About Me

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babette_babich
Babette Babich (PhD: Boston College), Professor of Philosophy at Fordham University in New York City. She has taught at Juilliard and the School of Visual Arts, NYC as well as the University of California at San Diego, Georgetown University, Stony Brook University, including Stony Brook Manhattan, Eberhard-Karls Universität, Tübingen and the Humboldt Universität, Berlin, etc.. Among other books, she is author of The Hallelujah Effect: Music, Performance Practice, and Technology (2016 [2013]), Words in Blood, Like Flowers (2006) in addition to books in French and German. Her edited collective volumes include Hermeneutic Philosophies of Social Science (2017) and Reading David Hume’s »Of the Standard of Taste« (2019). She is also founding editor of the journal, New Nietzsche Studies.
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