The Hallelujah Effect

Wednesday, March 29, 2023

Nietzsche and Beethoven: On the 'Becoming-Human-of-Dissonance'


 
"Nietzsche and Beethoven: On the 'Becoming-Human-of-Dissonance'," Ch 10 in The Hallelujah Effect

Posted by babette_babich at 8:46 PM No comments:
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Wednesday, March 22, 2023

Adorno on Music and Radio: Acoustic Time and Acoustic Space


“Adorno’s Phenomenology: Radio Physiognomy and Music” in The Hallelujah Effect

Babich, “Radio Ghosts: Phenomenology’s Phantoms and Digital Autism”



Background: Augustine, Confessions, Book 11


Recommended: 

Babich, “Adorno's Radio Phenomenology: Technical Reproduction, Physiognomy, and Music”

Kane, “Phenomenology, Physiognomy, and the 'Radio Voice'”

Steege, “This Is Not a Test”

Babich, “Günther Anders’s Epitaph for Aikichi Kuboyama”

Posted by babette_babich at 5:22 AM No comments:
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Saturday, March 11, 2023

Forgiveness and the Human Condition

Babich, “Hallelujah and Atonement”



Recommended:

Pally, “Leonard Cohen’s Jewish and Christian Imagery”

Rosemann, “Leonard Cohen, Philosopher”



Posted by babette_babich at 8:09 PM No comments:
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Thursday, March 9, 2023

Performance Practice


“Performance Practice and the Hallelujah Effect”

Rec: Babich, “Musical ‘Covers’ and the Culture Industry”



Posted by babette_babich at 1:27 PM No comments:
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Wednesday, March 1, 2023

k.d. lang’s Hallelujah

 

 Ch. 4 “'Covering' Leonard Cohen's Hallelujah” and Ch. 5 “You Don’t Really Care for Music Do ya?” in The Hallelujah Effect

            

Rec: Gill Valentine, “CreatingTransgressive Space”




Posted by babette_babich at 3:43 PM No comments:
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      • Nietzsche and Beethoven: On the 'Becoming-Human-of...
      • Adorno on Music and Radio: Acoustic Time and Acous...
      • Forgiveness and the Human Condition
      • Performance Practice
      • k.d. lang’s Hallelujah
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About Me

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babette_babich
Babette Babich (PhD: Boston College), Professor of Philosophy at Fordham University in New York City. She has taught at Juilliard and the School of Visual Arts, NYC as well as the University of California at San Diego, Georgetown University, Stony Brook University, including Stony Brook Manhattan, Eberhard-Karls Universität, Tübingen and the Humboldt Universität, Berlin, etc.. Among other books, she is author of The Hallelujah Effect: Music, Performance Practice, and Technology (2016 [2013]), Words in Blood, Like Flowers (2006) in addition to books in French and German. Her edited collective volumes include Hermeneutic Philosophies of Social Science (2017) and Reading David Hume’s »Of the Standard of Taste« (2019). She is also founding editor of the journal, New Nietzsche Studies.
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